The project Bernoulli-Euler Online (BEOL) focuses on the mathematics influenced by the Bernoulli dynasty and Leonhard Euler and presents these materials to the public and researchers.

The database is the result of the transposition of a virtual exhibition realized in the context of the 500th anniversary of the Lutheran Reformation (1517).

The project explores the entangled histories of botany, art and health. It considers plant images in early medieval herbals as modes of knowledge that articulate and negotiate medical practices.

The SNSF PRIMA project “Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s-1990s” studies the uses of TV in industrial, medical, educational and military contexts.

Were early Christian churches aligned with the sun or the moon? A study across Switzerland and Northern Italy explores the links between the sky and sacred architecture.

The database documents the different kinds of spectacles such as theatre plays, operas, ballets, or concerts that took place in the Hôtel de Musique in Bern between 1766 and 1905.

I-GEOARCHive provides geoarchaeological data and images (profile photos, thin section scans, microscope photos, layer descriptions, mortar and ceramic samples, etc.) from various archaeological sites.

The project documents theatrical practices in the French-Swiss regions between the 15ᵗʰ and 16ᵗʰ c. It is a part of the SNSF project focused on versified public communication in French (15ᵗʰ-16ᵗʰ c.)

This database aims to provide a benchmark by compilating all representations of kottabos in the Greek world, including descriptions, images and links to other reference databases.

The catalogue of the Foscolo epistolary contains the data, metadata and images relating to the letters, documents, witnesses, holding institutions and editions of the letters.

cache is a hybrid publication tool for research groups in the humanities.

Ce projet étudie, dans une perspective narratologique/genre studies, la genèse des scénarios des films d’Alain Tanner, ainsi que les discours sur cette question tenus par le cinéaste.