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Explore cutting-edge humanities research projects hosted on our platform. Each project represents a unique contribution to Swiss cultural heritage and academic knowledge.

DaSCH – Swiss National Data and Service Center for the Humanities project image
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DaSCH – Swiss National Data and Service Center for the Humanities

This project contains material about DaSCH and events organised by DaSCH. All documents are made available in the original language of the presentations.

Société de cour, élites et finances : de l’Hôtel des princes de Savoie à l’État moderne project image
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Société de cour, élites et finances : de l’Hôtel des princes de Savoie à l’État moderne

Ce projet étudie l’organisation de l’Hôtel de la cour de Savoie du XIIIe au XVe s., son évolution en une institution réglementée et hiérarchisée et propose une étude prosopographique de ses membres.

Hieroglyphic Palaeography of the Ptolemaic Temple at Deir el-Medina project image
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Hieroglyphic Palaeography of the Ptolemaic Temple at Deir el-Medina

An online palaeography of hieroglyphs from the Ptolemaic temple of Deir el-Medina

University of Basel Kings’ Valley Project project image
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University of Basel Kings’ Valley Project

Assessment of tombs in the Kings’ Valley used for burials of royal family and entourage (ca. 1350 BCE), looted (ca. 1000 BCE), and reused for burials of members of priestly families (ca. 800–700 BCE).

Photo Archive of the Cultural Anthropology Switzerland (CAS) project image
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Photo Archive of the Cultural Anthropology Switzerland (CAS)

With its approximately 500,000 photo objects from across the world, the photo archive of the CAS fosters new approaches to the study and consumption of photographs.

Bildung in Zahlen (Education by numbers) project image
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Bildung in Zahlen (Education by numbers)

Annotated historical statistics on the development and use of cantonal education programmes and the vocational education and training system in Switzerland in the 19th and 20th centuries.

Beyond the Text. New Funerary Compositions from the Graeco-Roman Period: Textualities and Archaeology in Thebes project image
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Beyond the Text. New Funerary Compositions from the Graeco-Roman Period: Textualities and Archaeology in Thebes

Philological and archaeological project exploring the emergence and evolution of the funerary literature of the Graeco-Roman Period

Le campane del Canton Ticino. Studio di un patrimonio materiale e immateriale project image
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Le campane del Canton Ticino. Studio di un patrimonio materiale e immateriale

Ricerca interdisciplinare sulle campane del Canton Ticino, come oggetti storici, artistici e musicali ma anche come mezzi di comunicazione per le comunità, tramite specifici codici tradizionali.

WordWeb / IDEM: A new way of representing Intertextuality in Drama of the Early Modern Period project image
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WordWeb / IDEM: A new way of representing Intertextuality in Drama of the Early Modern Period

WordWeb/IDEM offers an innovative digital database for representing intertextuality in the drama of Shakespeare’s time.

« Théâtre de société » (Age of Enlightenment - Second French Empire) project image
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« Théâtre de société » (Age of Enlightenment - Second French Empire)

Théâtre de société is defined as a theater that is mainly or totally amateur, non-profit, practiced in private homes. The project concerns the study of this form of theater.

The Medieval Frame of Monumental Portal Sculpture (Pedestals, Canopies, Niches) : Cultural Transfers and Agency (12th-13th Centuries) project image
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The Medieval Frame of Monumental Portal Sculpture (Pedestals, Canopies, Niches) : Cultural Transfers and Agency (12th-13th Centuries)

This project aims to valorise and better comprehend the various elements surrounding monumental statues of church portals, namely pedestals, canopies, and niches.

Portraits of Unbelonging: Photography, the Ottoman State, and the making of Armenian emigrants 1896-1908 project image
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Portraits of Unbelonging: Photography, the Ottoman State, and the making of Armenian emigrants 1896-1908

How do photography and statecraft intersect in the making and unmaking of citizens? How and why did photography become a new media for unmaking subjects in late 19th c Ottoman empire?